Harvey, Court Theatre, Spring 2017.

Sarah Price as niece Myrtle Maw Simmons and Karen Janes Woditsch as his sister Veta Louise drive the production whimsy as they try to figure out what to do with Elwood.
— Ellyzabeth Adler, Picture This Post
Sarah Price brings a welcome jolt of youthful impatience to the role, and with it a keen sense of mordant comedy.
— Lawrence B. Johnson, Chicago on the Aisle

Earthquakes in London, Steep Theatre Co., Winter 2017.

There is much compelling staging and acting on display here, from Price’s force and latently vulnerable Jasmine to Cindy Marker’s cold, wound-tight Sarah.
— Chris Jones, Chicago Tribune
“Teenage wild child Jasmine, Robert’s youngest, is played with uninhibited savvy and skill by Sarah Price.”
— Colin Douglas, Chicago Theatre Review
And as the sisters at the center of the story, Marker, Carapetyan, and Price have certainly found a way to bestow a great deal of humanity onto their characters... As Jasmine, Price finds a new balance between attitude and vulnerability.
— Rachel Weinberg, PerformInk

You On The Moors Now, The Hypocrites, Fall 2016.

Drawn from the works of Jane Austen, Louisa May Alcott and the Brontë sisters, “Moors” features a regular smorgasbord of young, diverse talent hand-plucked from some of the most lauded shows of the last year including Maurice Demus (“Sucker Punch”), Sarah Price (“Mai Dang Lao”), Brittnay Love Smith (“The Secretaries”), Deanna Myers (“The King of the Yees”), Emjoy Gavino (“Love and Information”) and Japhet Balaban (“Never the Sinner”), just to name a few.
— Kevin Greene, NewCity Stage
In providing respectfully irreverent new angles on these not-so-little women—complete with an unexpected, gleefully anachronistic but thoroughly satisfying epilogue—and rendering them via a fiercely talented, charming and casually diverse ensemble, Moors scores.
— Kris Vire, TimeOut Chicago

Mai Dang Lao, Sideshow Theatre Company, Spring 2016.

Sarah Price is mesmerizing as Sophie – chockfull of authority and vulnerability...
— Lauren Garcia, Third Coast Review
... fully as tight as Steppenwolf’s cleaning crew, Sideshow’s believable ensemble—Price, Fletcher, Frederick, Tyler Meredith, Andrew Goetten, and Jim Poole (as the voice-over caller)–work well together (even when they’re not meant to). Price is especially affecting as an innocent dreamer who’s meant for more.
— Lawrence Bommer, Stage and Cinema
Enacted with astonishing authenticity of place and person by every member of the cast.
— Irene Hsiao, Newcity Stage
Under director Marti Lyons, this Sideshow Theatre ensemble brings Jacobi’s riveting tale to life without pulling any punches or muting his message. Sarah Price, in particular, plumbs the depths of her hapless character and moves us in the process.
— Jack Helbig, Chicago Reader

Monstrous Regiment, Lifeline Theatre, Summer 2014.

Nominated for Best Production, Non-Equity Jeff Awards, 2015

Sarah Price’s Polly is as plucky as she needs to be—and yet her main virtue isn’t heroism or even likability, but the way she invites us into her adventure.
— Tony Adler, Chicago Reader
If there has been a more accomplished comedic ensemble on a Chicago stage this year, I’ve not seen it.
— Kerry Reid, Chicago Tribune - Best of 2014

The Sweeter Option, Strawdog Theatre Co., Spring 2015.

Sarah Price as Joy has the most range: she brings some well-needed levity to early scenes, but also delivers some gut-punches near the end.
— Jackie Davis, Theatre by Numbers

Solstice, A Red Orchid Theatre, Winter 2014. 

And then there’s the enigmatic Sita (Sarah Price), alternately contemplative and gesticulating, like a wild cross between Scout in “To Kill a Mockingbird” and Max from “Where the Wild Things Are.”
— Zach Freeman, Newcity Stage

Northanger Abbey, Remy Bumppo Theatre Co., Fall 2013.

As Catherine Morland, Sarah Price has the perfect balance of wit, superlative-prone enthusiasm and rubbery physicality to win our affection with ease…
— Suzanne Scanlon, Time Out Chicago
In the lead, the effervescent Sarah Price (Catherine) continually delights in her unabashed reactions. Whether dramatically
reading from her novel or swooning over a guy, the adorable Price is comedy perfection.
— Katy Walsh, Chicago Theater Beat
There are many reasons to catch Remy Bumppo Theater’s sparkling production of “Northanger Abbey… But the main one is to discover Sarah Price, a young actress with relatively few credits but enormous skill, charm and high theatrical intelligence. Not only does Price seize hold of the show’s marathon central role… But she makes it entirely impossible to take your eyes off her. … And her ability to suggest her character’s irresistible mix of fresh-faced naivete, imagination, and a wisdom well beyond her years, is uncanny.
— Hedy Weiss, Chicago Sun-Times